Historical

Born mute, speaking only in sign, Edgar Sawtelle leads an idyllic life with his parents on their farm in remote northern Wisconsin. For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong friend and ally. But with the unexpected return of Claude, Edgar's paternal uncle, turmoil consumes the Sawtelle

They're bold, courageous, resolute . . . ex-officers of the Crown united against a deadly traitor known only as the Black Cobra.

In Jennifer Egan’s highly acclaimed first novel, set in 1978, the political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O’Connor, age eighteen. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970.

A brilliant, action-packed reimagining of Huckleberry Finn from enslaved Jim's perspective. Pulitzer Prize Finalist and literary icon, James Everett, crafts a harrowing and funny tale of Jim's journey down the Mississippi. Filled with humor and profound observations, James promises to be a major 21st-century literary event.

In A Brief History of Seven Killings, Marlon James combines masterful storytelling with his unrivaled skill at characterization and his meticulous eye for detail to forge a novel of dazzling ambition and scope.

An exciting, lyrical new retelling of the trojan war stories from Jennifer Saint, the bestselling author of ELEKTRA (UK, Sunday Times, May 2022) and ARIADNE (UK, Sunday Times, April 2021).

From the New York Times bestselling author of Mexican Gothic comes a simmering historical noir about a daydreaming secretary, a lonesome enforcer, and the mystery of the missing woman they're both desperate to find.

AN INSTANT NEW YORK TIMES BESTSELLER

"A murder mystery locked inside a Great American Novel . . . Charming, smart, heart-blistering, and heart-healing." -Danez Smith, The New York Times Book Review

In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II.